The interview

Why Hello your majesty, Ava. how are you doing today?

I’m doing very well, thank you Stella, how are you?

I’m doing quite well,thankyou for asking. So, I’m quite sure you might have probably heard about us conducting interviews? Well, this is just one of those many (incoming) interviews, so sit back and relax. So without further ado,are you ready for it?

Ready as I’ll ever be!

Okay, first of all, tell us how you came to know about the shawm, What piqued your interest in it?

When my dear mother was still alive I believe she dearly loved the shawm and often would have musicians shipped to us from far away to visit and play. It’s actually a distant memory and perhaps one of the only ones I have of her now. My father on occasion would have the instrument played around her birthday but otherwise he didn’t care much for it. I guess my interest comes with my mother’s memory.

Before we proceed, could you perhaps give us a background on this instrument? It’s origins and its significance during the 16th century?

From my knowledge although I’m not an expert the Shawm is a conical double reed woodwind instrument where it’s musician would be seated or standing but would hold the body of it with both hands so that the reed is almost entirely inserted into their mouth enabling them to produce sound. It’s thought to be established from Egypt and made its way to our shores in the twelfth century. However now the music makers are making some fine changes to the instrument allowing the musicians to make a more varied tone. The changes they have made I’m told include the narrowing of the bore and a reduction in the size of the finger holes. How fascinating that such things make a difference. As for its significance perhaps our history books need to be updated for me to answer that one.

Do you play the Shawm? If so, how did you learn to play it? And if not well, do you ever wish to play in the future?

I don’t play myself, I did attempt it when I was a young girl but my father detested the sound and so I was encouraged to try the clavichord which was more of his tastes. I feel perhaps I am too old to learn but never say never.

They say that sometimes our brains associate memories with music. Could you share any stories about practising or performing with the Shawm that were like a core memory for you?

Oh yes, as I mentioned perhaps my most vivid memory of my mother was listening to the music and seeing her face light up when they began to play.

Just a couple more questions.

How would you describe the sound of the Shawm to someone who has never heard it before? Would it be loud, more suited for outdoors or indoors?

It can most definitely fill a ballroom or carry throughout a castle so I would say one would require the room to allow it to reach it’s potential, hearing it echo through hallways is thrilling.

And finally, How has your interest in the Shawm evolved, and do you think it will continue to be an important part of your life or just remain as a musical interest?

It will indeed always be a part of my past and something I cherish hearing on my late mothers birthday. Although I know it is not to everyone’s taste but I urge you to at least listen next time you have the opportunity.

You could be in the next interview

Georgia Clearless